Rolla Misery??

Most, if not all, of you know that I played KDHX's Live in St. Louis Series 2010 on Nick Acquisto's The Space Parlour last Thursday. I've conveniently tracked my performance on this Mini iPod below if you happened to miss it.



I'm very pleased with my performance and the overall turnout of the show. The mix is a bit vocal heavy...but that's radio. I am, however, ashamed of how I threw Rolla Missouri under the bus during my interview. (Listen to the interview pt 3) There's so many positive things I could have said, but instead I focused, as usual, on the negative.

I'm very appreciative that I grew up in Rolla. Yes, it was hella boring more than a few times, but I received a great education as well as performing with a group of people that shared the best musical experience I've had in my life. Which, sadly, I took for granted at the time.

The music program was, hands down, the best the state of Missouri had to offer. Performing around the country (Corpus Cristi TX, Winter Park CO, Carnegie Hall) as well as being invited to perform in Europe (damn I wish I did that) proves that claim. But it wasn't the fact that we had many talented singers our school. It really came down to one man, our music director, Mr. Sandquist.

He single handedly, taught me so much about music, without ever opening a book. Just a number of "one-liners" and the selections of college level songs we performed, he somehow implanted the overall feel of Syna So Pro without me ever knowing it. A prime example being, "Mezzo Forte is Mezzo Boring". He would say this to us often when we were just going through the motions and not conveying any dynamics. I've never forgotten that which is probably why I'm told my music is very epic on it's own.

Although I sound resentful about growing up in Ro-Town, I'm really not. I'm pretty positive if Rolla never happened, Syna So Pro wouldn't have happened.

Ok, I feel better now...

Listening to my performance also solidified in my head that I should take vocal lessons. It's not that I think I can't sing, I know I've lost a lot pitch control over the years of "lazy singing".

In other news, for those of you who's picked up and listened to my debut album, posted below is a Syna So Pro cover, recorded by my good ol' friend El.

El writes: Walk Away...

..This song was written by SYNA SO PRO. I recorded it about a year or twelve ago when I used to live in a musicians halfway home. It sounds nothing like the original except that both me and the person that wrote it are sexy as hell :)

Enjoy!
~Syrhea

P.S. If you have nothing to do this Saturday, come out to Fort Gondo for a Celebration of women of art. Facebook event here!

In the Funk

This one's going to be short...

I haven't had much motivation lately. There's various reasons for this that I'm not going to get into, but I'm trying to get myself out of a funk that I (in a way) put myself into.

So I'm just going to post some music that I demoed a few days ago.

Ethereal was supposed to be a stella song, but seeing as we're no longer a band, it's now the 4th song of the Fairy Album. (I've got to think of a name for that album)

Fairy Run is going to be track 6 of the album. Those of you who's seen me play in the last few months, you've heard me play this track live. Bass lines are still kinda "iffy" at parts but it's the general idea that's important. I'm definitely going to add violins to this one. The parts are undeniable.

In other Syna news, I should be playing a show at Cranky Yellow early next year (details still finalizing) as well as potentially doing an in-studio performance at KDHX.

I've also joined another band which will quench my thirst of playing music with other people. I would say who this band is...but I want to make sure this all pans out as planned. Looking forward to rehearsing with them in the coming weeks...

Hope you all enjoy the holidays!

~Syrhea

What's Ahead in My World

Yo Yo Yo!

The show this past Sunday went really well. Half Handed Cloud's new album is definitely worth $10. Well orchestrated, arranged and executed, while each track is no longer than a minute and a half. Yet the album seems so seamless... Pretty effing genius if you ask me. Thanks to Alberto for, once again, asking me to play one of his shows. It was fun as always. My only regret was forgetting to bring my video camera to capture Kevin's awesome studio space. Something I WON'T forget to do in CHICAGO!!!!

That's right peeps...Dottie and I leave in 3 days. And I haven't told her that we're not coming back. She'll find out when she reads this. (To Dottie: We're not going back to St. Louis.|From Syrhea)

I've recently decided that I'm no longer going to solicit for Indie Record labels.

*GASP*

But WHY Syrhea? You're album is the shit!
Ah...you're sweet. It has nothing to do with me not thinking my album is good enough, but everything to do with the fact I'm convinced that I can just as easily start my own label. Of course I'll have a lot of business books to read up on...might as well enroll myself in a few classes. I figure if this endeavor is an epic fail, I can always go back to trying to solicit other Indie Record Labels. We'll see how that goes for now.

I sent a fresh new track to the peeps on my mailing list earlier this week and judging from the feedback I've received, some of them are convinced that I should start my own studio. Or at least stop paying money to use other studios. And I guess this could be feasible but I'm not an engineer and I'd rather have live drums on all of my albums. At the same time if I just save about 2 grand (which is about as much money it'll cost to go to a studio) and buy a G5 with Pro-Tools, I could have a start to my own studio. Baby Steps...baby steps... Maybe one day..

But first, I'm planning on heading back into the studio sometime, before June, of next year. This time the songs that I actually play live will be on the album and I won't feel so guilty during the release show.

I've finished the outline to the "Fairy Album" (scratch title) and I'm currently writing a couple more songs to finish the story out. I'm thinking it'll be pretty cool...

...hopefully...

Playing now is either What's Ahead, (a track you've heard via myspace or the website) or My World, an instrumental I just demoed the other day. There will be vocals on the track, I just didn't feel like recording them at the moment.

Oh and please ignore the crappy guitar solo in the middle...I was just trying to get the arrangement where I wanted to. I'm kinda torn: Should I add violin or not? I hear parts but I'm thinking I have too much already...thoughts?

I'll post more "unfinished" demos here in the future...

I figured this is a Music Blog so I should post some tunes from time to time...

Anyway, I think that's it.

I need to go practice for the Chicago shows this weekend.

Lates!

~Syrhea

All We Hear Is...

...radio ga ga
...radio go go
...radio ka ka

All we hear is...
...radio ga ga
...radio blah blah

So as most of you already know, my local artist spotlight bit is being played on KDHX. I think it sounds pretty good after getting over my initial thought, which was pretentious and retarded. I always get a little uneasy when I'm described as a classically trained musician. It puts this idea in the listeners head that I'm some sort of prodigy, which I'm obviously not. Every single instrument I play, I play mediocre at best. I just have a way of putting it all together. But since I did have classical lessons as a child, I'm classified as classically trained. This is something I need to get over.

Santhem also got some air time last Friday on Thomas Crone's "Silver Tray" show. I caught the beginning of the song and thought that it was just local artist spotlight clip. Then I realized that he was playing the whole song. Surprised I yelled at work, "Oh my God! They're playing the whole song!"
No one really knew what I was talking about...except for Smalls, but she knows everything.

You can hear both the Local Artist Spotlight and a clip from the Silver Tray show in the mini iPod.

Anyway,
I've got my stage banter lines memorized for this Saturday. Taking a new approach and I think it works pretty well. I changed my mind at the last minute about doing an all Acapella set in IL. I'm going to treat that show as the dress rehearsal for the release show. If I really want to tour next summer, or ever, I might as well bite the bullet now and start playing back to back shows.

So in light of this, I've decided to play a 15 minute acapella set tonight at Friendly's to further promote the Cd Release Party. (10.10.09 @ the Luminary Center for the Arts with a Listening Party @ the Royale immediately after the CD Release)

Hope to see you all there!
And the flier as promised...



p.s. I only have 30 more disks to make!
Yay for ME!

...that is all...
~Syrhea

A Year Ago Yesterday, Today and Tomorrow...

I was nervous, excited, moody, unsure and very, very anxious. The night before a year ago yesterday, I couldn't sleep too well. I couldn't wait to get up at 0730 and start cooking breakfast for El, Will, and Shae because that would mean that I was that much closer to recording my first debut album.

Sleeping that night was like sleeping the night before Christmas when Christmas was the most important thing to a child. Even on the "couch of lethargy" I couldn't drift away. I was up, mind racing:

"I think Shae can knock out the drum tracks in about 5 or 6 hours"
"...I really hope I get halfway done when this weekend is over..."
"...you should have practiced the violin more..."
"...and your guitar parts..."
"...you should really start with these songs first..."
"...I hope El will help me with distortion sounds..."

Sleep finally came and recording started with only a little bump in the road. The drums took most of the first day, leaving me with about 2 hours to squeeze some bass lines in. Bass and guitar was all day the second day, and guitar the remainder of the third day. I remember being disappointed that I didn't get at least halfway through all the instruments to be recorded. I also remember being in slight disbelief that I could forget to add a part or two to a song. (How could I completely forget about parts, not the parts themselves, but putting the parts in the songs?)

Looking back a year ago, I learned that nothing, nothing ever goes as planned...EVER! El said it best: "You can't record songs when you have time booked. You have to record when you feel it...when you're in it." I agree 100%. When I started recording, I didn't want the process to take a year to do...and here we are a year later with the final product to be release in a couple months. The whole process was time consuming, tiring, difficult, monotonous, frustrating, and tedious in every way possible. But I couldn't be happier with how everything is finally coming together.

It's been a long time since I posted some music on the blog. I thought it would be fitting for me to post a song that I wrote a year ago, and still haven't gotten total lyrical inspiration. It was my attempt to write a riff... I think it's kinda funny... It's got anvils...they're always funny... I especially like the ebowed guitar parts... Hope you guys dig it.

Last night El and I went driving around to capture some footage for a video idea I have. I not going to say much more than that, but since you are following this blog, I figured I could at leas post some stills for your pleasure...




















Two questions before I "sign off" here. Of the few of you who actually read this, how much more or less inclined are you to buy a jewel case of the album, as oppose to digital? (this is if you were going to buy the album of course)

And are you coming to the stella show this Saturday? You can finally see my pedal board! (this is if you didn't already see it earlier this month) I did, however, add a new feature to Big Blue...you'll see.

Ok...

...that is all...

~Syrhea